Recordings
Catherine Lee, Remote Together. Redshift Records TK489. 2021. CD.
* NOMINEE CLASSICAL ALBUM OF THE YEAR (SOLO ARTIST) | ALBUM CLASSIQUE DE L’ANNÉE (SOLO) 2022 JUNO AWARDS
Roscoe Mitchell with Ostravaska Banda – Distant Radio Transmission. Also: Nonnah Trio, Cutouts for Woodwind Quintet and 8.8.88. Wide Hive Records. 2020. CD/LP.
Catherine Lee, social sounds. Teal Creek Music 2305. 2013. CD.
Catherine Lee & Matt Hannafin, Five Shapes: Improvisations for Oboe d’amore and Percussion. Bandcamp. 2015. CD.
Extraditon Ensemble. ex.tra.di.tion Plays Corner: Parte II. Bandcamp. 2026. CD
Extradition Ensemble. Malcom Goldstein – The Seasons: Vermont. Bandcamp. 2025. CD.
Cinema’s First Nasty Women Soundtrack Vol. 1, Ventilateur Breveté (New Air Fan) Composer and Performer, 2023. CD
Extradition Ensemble. ex.tra.di.tion Plays Corner. Bandcamp. 2023. CD.
Cinema’s First Nasty Women DVD/Bluray. Composer and Performer Soundtrack for Ventilateur Breveté (New Air Fan), Kino Lorber, 2022.
Redshift Music, Redshift XX. Bandcamp. 2022. CD
Douglas Detrick, Glass Songs EP. Bandcamp, 2021. CD.
Julian Snow, Nooks, “Red Eyes, Green Lion’s Teeth, Golden Heads”. Bandcamp, 2020. CD.
Gretchen Jude, The Hights 2015 – 2020. Bandcamp, 2020. CD
Golden Retriever, Rotations. Thrill Jockey. 2017. CD.
Doug Theriault, Compositions “The echo of the mind” and “Mr. Taylor”. Bandcamp, 2014. CD.
Lisa Marsh, Along the Road “Songs for Love and Life”. 2014. CD.
John Gruntfest and Megan Bierman, The Raven Big Band Buddha Mind Ensemble. Live at the Improvisation Summit of Portland. 2012. CD.
Books
2025 Score “Spirals” in A Year of Deep Listening: 365 Text Score for Pauline Oliveros, ed. Stephanie Loveless
2016 With Tomie Hahn, George Blake, Louise Campbell, et al. “Banding Encounters-Embodied Practices in Improvisation.” In Negotiated Moments: Improvisation, Sound and Subjectivity, ed. Gillian Siddall and Ellen Waterman.
Book Chapter: 2015 “Reeds: Play within Shared Authority”. In Interdisziplinare Studien zur Musik, ed. Taina Riikonen and Marjanna Virtanen, 157–172.
Selected Journal Articles and Conference Presentations
2020 “Dialogues with/in Emily Doolittle’s Social Sounds“. Journal of the International Alliance for Women in Music, 26 (1): 7–11.
2018 “Musicians as Movers: Applying the Feldenkrais Method to Music Education.” In Music Educators Journal, 104 (4): 15–19.
2010 “The Language of the Oboe Virtuoso in the Late Eighteenth Century: Part III. Johann Christian Fischer and Conclusion.” The Double Reed, 33 (3): 105–113.
2009 “The Language of the Oboe Virtuoso in the Late Eighteenth Century: Part II. August LeBrun.” The Double Reed, 32 (4): 73–84.
2009 “The Language of the Oboe Virtuoso in the Late Eighteenth Century: Part I. Introduction and Carlo Besozzi.” The Double Reed, 32 (3): 67–75.
Lecture/recital, “Dialogues with/in Emily Doolittle’s Social Sounds” Ecomusics & Ecomusicologies 2014: Dialogues, University of North Carolina Asheville (Asheville, North Carolina), 2–6 October 2014
Lecture/recital, “The Role of Improvisation in the Development of the Voice of the Performer in Rafales by Jérôme Blais.” Guelph Jazz Festival Colloquium, University of Guelph (Guelph, Ontario), 8–10 September 2010
Lecture/recital, “Voices in Conversation: An Oboist’s Exploration of the Oboe Works of J. C. Fischer (1733–1800).” Performer’s Voice: An International Forum for Music Performance and Scholarship, Yong Siew Toh Conservatory of Music (Singapore), 29 October–2 November 2009